The Halt management decided to start a comedy night on Fridays, without (as I understand it) committing a budget to book the calibre of act who can attract, control, or hold a Friday night audience.
Malky is an experienced promoter, and I do not wish to do him down by speaking badly of this gig. The first of anything is usually questionable, that is how we learn – by doing, failing, doing again, failing again but failing better. There’s a reason it’s called a Learning Curve.
There were six open spots on, five of them were shite. I include myself in that. Booked on the strength of recent gigs, most of the acts deviated from the tried, tested material and did new stuff. Almost all of us over-ran. I did the second part of my “Fuck The Tories” material, which I had begun at my last Tuesday gig, and found it to be less funny than intended and more political than the audience wanted.
After a long and painful couple of sections, during which (unbelievably) none of the audience left, it was time for the headliner. Malky called him to the stage, discovering that he was not in the room. If it is near your stage time, you are closing a gig, and you are not in the room at the time, then you are not a professional. As there was already a guitar set up for the closer, I was prejudiced anyway against watching him.
A girl left the room, Malky presuming that she had gone to find him. She returned alone. Asked if she had seen him, she informed us that “He’s outside smoking, chatting to some lassie about how he’s on stage soon.”
That was my cue to leave – it had been a long night, most acts died, and now this guy was nowhere to be seen but did have a guitar waiting for him. Not for me. I left.
I heard later that he, too, deviated from the set that had got him this booking, too drunk to make sense and too reliant on his Irish accent to coast him through a lack of material.
I am not sure if the Friday night gigs are still running, and I kind of hope not – as Malky was already aware, you need a budget to book acts on a Friday. It’s very different to a Tuesday night new-act crowd. maybe if the bar plough some money in and give it six months, it will fly. Personally, I don’t see that kind of investment coming from them.
Whereas the Tuesday night shows are going from strength to strength.